2012

REELGUY'S DVD REVIEW: In "2012" style subverts substance, effects overwhelm character


The modern king of the disaster film, Roland Emmerich, returns to his favorite genre with the apocalyptic "2012." The special effects are outstanding and the primary reason for seeing this picture. The earth is torn asunder, lava shoots out of the ground, cities crumble and buildings fall as a little commuter plane flies through it all. The short amount of character development at the picture's beginning feels obligatory. Little time is spent getting to know the hero, Jackson Curtis (an out of his element John Cusack), or his family before they are placed in one life or death situation after another. As such, the emotional impact of every extreme situation is greatly lessened compared to the heft of a similar movie like Emmerich's own "The Day After Tomorrow." Sadly, "2012" is another in a series of pictures where style subverts substance, and effects overwhelm character.

Jackson is a divorcee who has a strained relationship with his ex-wife (Amanda Peet; "The X-Files: I Want to Believe"), her new husband, and their kids. He is no one particularly important, simply a limo driver, but he accidentally learns of a rumored catastrophe from his wealthy Russian boss. Reacting to the oncoming situation, he convinces his ex-family to come with him to safety; if there is anywhere safe, since the whole world is falling apart.

The cast is sufficiently serious or upset, depending on the scene, but the authenticity of emotion rarely comes through. Certainly, you don't want this family to be killed but the viewer learns so little about each one of them that it wouldn't be the end of the world if they were lost. The politician characters are torn about their difficult decisions and there is of course a selfish person in the inner circle who ruthlessly protects his own interests. The plots and characters of Emmerich's disaster films are becoming rote and utterly predictable. The story-telling in "2012" ultimately feels lazy and uninspired. Lastly, the reason for the disaster is never truly explained. None of the supernatural elements of the Mayan end-of-days are explored and no sufficient scientific explanation truly ties the multiple disasters together. But for those with a disaster fetish the movie will keep you reasonably entertained up until the eventual finale.

Rated PG-13 for intense disaster sequences and some language.

2 0ut of 5