THE REELGUY’S REEL REVIEW: “The Wrestler” - Heart-wrenching tale deserves attention


With the biggest wrestling extravaganza - “Wrestlemania” - only weeks away, there couldn’t be a better time to look between the ropes and review Darren Aronofsky‘s “The Wrestler.” Currently showing in Bangor at MovieMagic Cinema, if you are a fan of wrestling or sports films in general, this heart-wrenching tale deserves your attention. While Oscar nominees Mickey Rourke (“Sin City”) and Marisa Tomei (“Anger Management”) put noteworthy passion into their performances, the movie itself works as a tale about coming to the end of one’s lifelong career. Both Rourke as Randy the Ram and Tomei as the stripper Cassidy come to realize they are getting too old to continue what they’re doing. It is a brutal realization for two people struggling as hard to “get by” as Randy and Cassidy are and it does not come without its pains. Is there life beyond what they’ve known or are their lives as performers all they are?

Randy worked the professional circuit as a wrestler most of his adult life. Years after his early success, “The Ram” is still competing, putting on shows with much younger athletes during the weekends at local gymnasiums. The viewer sees backstage at these shows as the performers plan their routines. There is a real collegial attitude amongst the wrestlers, especially for Randy “The Ram” who many young men see as a mentor. Randy’s real life isn’t so easy. Behind in his rent, with no one special in his personal life and an escalating health problem, Randy reluctantly takes this opportunity to reevaluate his future. Randy attempts to turn his friendly relationship with the exotic dancer Cassidy into something more serious and makes an effort to reconnect with his adult daughter, Stephanie (Evan Rachel Wood; “Across the Universe”). But can Randy change his ways and become a different man or is the call of the ring too strong?

Aronofsky (“The Fountain”) creates a grainy, documentary-like realism to the picture, following Randy in his life inside and outside the ring. The audience is drawn to the passion that Randy has for his profession and the lengths he goes to in keeping up his conditioning. While the viewer may not agree with the choices Randy makes, there is an attachment made early on and you can’t help but root for the guy to succeed. Rourke eyes speak volumes throughout “The Wrestler” as he appears to be fighting back tears while dealing with his problems. His relationship with his daughter is particularly complicated and Aronofsky unflinchingly reveals the difficulty of reestablishing a nonexistent relationship.

It is easy to be overshadowed by the larger, juicier role that Rourke has but Tomei manages to stand out in her performance as well. Taking all her clothes off for the sake of the movie, Tomei shows a true bravery in becoming Cassidy. Her expressions are telling as she is turned down by younger clients who don’t want a lap dance from an older woman. She appreciates Randy and his business but doesn’t want him to become too close. This leaves both main characters feeling isolated and alone at a time when they both need support.

“The Wrestler” is touching but imperfect as a studio picture. It does not go for the happy ending and gives its characters glaring flaws. Despite this, “The Wrestler” is likely to win over viewers willing to give it a chance and perhaps generate some sympathy for professional wrestlers in general. Now bring on “Wrestlemania.”

Rated R for violence, sexuality/nudity, language and some drug use.

5 0ut of 5